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VCO 1 con 4 forme d'onda miscelabili (dente di sega, triangolo, impulso e sub-ottava), modulazione dell'ampiezza dell'impulso e 2 sorgenti di modulazione regolabili
VCO 2 con 3 forme d'onda miscelabili (dente di sega, triangolo e sub-ottava) e 2 sorgenti di modulazione regolabili
Filtro passa-basso con risonanza, 2 sorgenti di modulazione regolabili e keytracking regolabile
2 inviluppi analogici: ADSR e AR
LFO analogico
Generatore di rumore e unità Sample&Hold
Duofono riproducibile
Ingresso audio da 3,5 mm per l'elaborazione del suono di sorgenti esterne
Può essere utilizzato come voce completa di un sintetizzatore Eurorack (larghezza: 70 HP)
Funzione Poly-Chain per collegare fino a 16 dispositivi
Uscita principale tramite jack da 3,5 mm e 2 jack da 6,3 mm (livello alto e basso)
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Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
*E
*Theo E* 01.06.2021
Its funny how many things you can do with this great little synth.
There's not much to say on what you should expect from an analog synth, but what the CAT does, is that with its design it allows more posibilities and ways to use each section.
Take the oscillators for example. You can feed them to each other, you can sync them, or use them to control the filter or use them as S+H source (VCO1). And keep in mind that each one has a sub oscillator and a waveform mixer. Or the envelopes, which can be fed to a number of sources simultaneously.
One thing that puzzles me however is the oscillator sync. It sounds a bit "broken" sometimes. I'm not sure if this is Behringer's fault, or the original design. Also one thing you should take in account with Behringer synths is the envelope curve steepness. You can't fine tune it easily for short lengths.
Overall, the synth maybe a bit complicated for a novice user, but I would recommend it nevertheless, because of the wide range of options it offers.
Its funny how many things you can do with this great little synth.
There's not much to say on what you should expect from an analog synth, but what the CAT does, is that with its design it allows more posibilities and ways to use each section.
Take the oscillators for example. You can feed them to each other, you can sync them, or use them to
Its funny how many things you can do with this great little synth.
There's not much to say on what you should expect from an analog synth, but what the CAT does, is that with its design it allows more posibilities and ways to use each section.
Take the oscillators for example. You can feed them to each other, you can sync them, or use them to control the filter or use them as S+H source (VCO1). And keep in mind that each one has a sub oscillator and a waveform mixer. Or the envelopes, which can be fed to a number of sources simultaneously.
One thing that puzzles me however is the oscillator sync. It sounds a bit "broken" sometimes. I'm not sure if this is Behringer's fault, or the original design. Also one thing you should take in account with Behringer synths is the envelope curve steepness. You can't fine tune it easily for short lengths.
Overall, the synth maybe a bit complicated for a novice user, but I would recommend it nevertheless, because of the wide range of options it offers.
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
L
Good retread of the original - studio only though
Leni_J 30.06.2020
Great engineering here - they have all of the functionality (and the look and feel) of the original and although it is necessarily made on the cheap so the knobs and sliders don't feel great, it is nonetheless a powerful piece of kit. The controls are much smaller than on the original, which makes it fiddly to use in a keyboard rig (for me anyway), and the whole thing is rather lightweight so needs strapping down onto an appropriately angled surface - not easy. I don't think it's good for a live environment without some serious extra work. The analogue interfaces seem to work OK (3.5mm jacks though, so some bespoke cabling needed to connect up to the rest of the oldskool analogues) . Unit ships with the usual amateur wall-wart power supply (particularly annoying for UK customers is the clumsy and ill-fitting europlug adapter which is the ultimate in cheapskate shortcuts - it's the proverbial "ha'p'worth of tar".). For this price, though, it's a no-brainer to fatten things up on your existing monosynth, whatever it is.
Great engineering here - they have all of the functionality (and the look and feel) of the original and although it is necessarily made on the cheap so the knobs and sliders don't feel great, it is nonetheless a powerful piece of kit. The controls are much smaller than on the original, which makes it fiddly to use in a keyboard rig (for me anyway), and the whole thing
Great engineering here - they have all of the functionality (and the look and feel) of the original and although it is necessarily made on the cheap so the knobs and sliders don't feel great, it is nonetheless a powerful piece of kit. The controls are much smaller than on the original, which makes it fiddly to use in a keyboard rig (for me anyway), and the whole thing is rather lightweight so needs strapping down onto an appropriately angled surface - not easy. I don't think it's good for a live environment without some serious extra work. The analogue interfaces seem to work OK (3.5mm jacks though, so some bespoke cabling needed to connect up to the rest of the oldskool analogues) . Unit ships with the usual amateur wall-wart power supply (particularly annoying for UK customers is the clumsy and ill-fitting europlug adapter which is the ultimate in cheapskate shortcuts - it's the proverbial "ha'p'worth of tar".). For this price, though, it's a no-brainer to fatten things up on your existing monosynth, whatever it is.
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
s
Blend those oscillators!!!
steviemac2000 20.08.2021
Excellent intro into the world of analog, everything is pretty intuitive and blending different waveforms for the oscillators with the sliders is great fun. Not as many patch points as the Neutron, but not as overwhelming either.
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
DP
The lead-maschine
Daniel Pierce 28.11.2024
De Behringer CAT is echt een fantastische synth voor iedereen die van unieke en rauwe geluiden houdt. Het analoge karakter is onmiskenbaar, met dikke, grommende tonen en scherpe leads die meteen opvallen. De dubbele oscillator en modulaire mogelijkheden geven je eindeloos veel ruimte om te experimenteren. Wat ik vooral gaaf vind, is hoe intuïtief het werkt, ondanks de enorme flexibiliteit. Hij voelt stevig aan, met knoppen en sliders die uitnodigen om aan te draaien en te schuiven. De vintage uitstraling is een echte eyecatcher in mijn studio. Het geluid heeft zoveel karakter dat het elke track een unieke vibe geeft. Ik kan me al niet meer voorstellen hoe ik zonder werkte!
De Behringer CAT is echt een fantastische synth voor iedereen die van unieke en rauwe geluiden houdt. Het analoge karakter is onmiskenbaar, met dikke, grommende tonen en scherpe leads die meteen opvallen. De dubbele oscillator en modulaire mogelijkheden geven je eindeloos veel ruimte om te experimenteren. Wat ik vooral gaaf vind, is hoe intuïtief het werkt, ondanks de
De Behringer CAT is echt een fantastische synth voor iedereen die van unieke en rauwe geluiden houdt. Het analoge karakter is onmiskenbaar, met dikke, grommende tonen en scherpe leads die meteen opvallen. De dubbele oscillator en modulaire mogelijkheden geven je eindeloos veel ruimte om te experimenteren. Wat ik vooral gaaf vind, is hoe intuïtief het werkt, ondanks de enorme flexibiliteit. Hij voelt stevig aan, met knoppen en sliders die uitnodigen om aan te draaien en te schuiven. De vintage uitstraling is een echte eyecatcher in mijn studio. Het geluid heeft zoveel karakter dat het elke track een unieke vibe geeft. Ik kan me al niet meer voorstellen hoe ik zonder werkte!
