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sintetizzatori

Sequential Trigon-6

5.0 su 5 stelle su 2 valutazioni dei clienti
Sequential
Sequential Trigon-6
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Sequential Trigon-6
Sequential Trigon-6
Sequential Trigon-6
Sequential Trigon-6
Sequential Trigon-6
Sequential Trigon-6
Sequential Trigon-6
Sequential Trigon-6
Sequential Trigon-6
Sequential Trigon-6
Sequential Trigon-6
Sequential Trigon-6
+14

Sintetizzatore analogico

  • Polifonia a 6 voci
  • Tastiera semi-pesata a 4 ottave con 49 tasti, sensibilità al tocco e aftertouch
  • 3 VCO discreti per ogni voce
  • Forme d'onda selezionabili simultaneamente: triangolare, dente di sega, dente di sega invertito e impulso con larghezza variabile
  • Larghezza dell'impulso per ogni oscillatore
  • Hard Sync: oscillatore 1 sincronizzato con oscillatore 2
  • Modalità LFO (oscillatore 3)
  • Tracking della tastiera on/off (oscillatore 3)
  • Feedback dell'oscillatore e controllo del drive per una maggiore saturazione del segnale
  • Sorgente per il rumore bianco
  • Tracking dell'intonazione su tastiera on/off
  • Filtro ladder passa-basso a due/quattro poli, discreto e risonante, commutabile per ogni voce
  • Il filtro può essere impostato sull'autooscillazione con il controllo della risonanza
  • Valore dell'inviluppo del filtro bipolare
  • Modulazione della velocità della curva di inviluppo
  • Tracciamento della tastiera: off, metà, completo
  • Generatore di inviluppi a 4 fasi (ADSR)
  • LFO con 5 forme d'onda: sinusoide, dente di sega, dente di sega invertito, quadrata e casuale (sample e hold)
  • Sincronizzazione LFO
  • Modalità Poly
  • La manopola Vintage ricrea le caratteristiche dei sintetizzatori vintage aggiungendo variazioni nel comportamento dei componenti da voce a voce
  • Aftertouch
  • Clock
  • Arpeggiatore
  • Step sequencer polifonico con un massimo di 64 step e pause
  • Effetti: distorsione analogica stereo, due effetti digitali a 24 bit/48 kHz, tra cui riverbero (room, hall, plate e spring reverb), delay (delay digitale a piena larghezza di banda e bucket brigade delay emulato), chorus, flanger, phaser e ring modulator
  • Rotelle per pitch e modulazione illuminate
  • Controllo di trasposizione per una gamma di 8 ottave
  • Modalità Unisono (monofonica) con numero di voci configurabile, da una a tutte e sei le voci, memorizzazione degli accordi e modalità chiave
  • 500 programmi utente e 500 programmi di fabbrica in 10 banchi da 100 programmi ciascuno
  • Alimentare integrato: 100 - 240 V con 50/60 Hz
  • Pannelli laterali in legno d'acero
  • Dimensioni (L x P x A): 807 x 323 x 117 mm
  • Peso: 9,5 kg

Collegamenti:

  • 2 uscite di linea: jack da 6,3 mm
  • Uscita stereo per le cuffie: jack da 6,3 mm
  • MIDI In/Out/Thru
  • MIDI USB
  • Ingresso del filtro cutoff per pedale di espressione: jack da 6,3 mm
  • Ingresso per pedale di espressione per il controllo del volume: jack da 6,3 mm
  • Ingresso per footswitch sustain: jack da 6,3 mm
  • Ingresso per footswitch di avvio/arresto del sequencer
30 giorni soddisfatti o rimborsati
3 anni di garanzia Thomann
  • In catalogo dal Febbraio 2023
  • Numero di articolo 555076
  • Unità incluse 1 Pezzo
  • Numero di tasti 49
  • Touch-Sensitive Si
  • Aftertouch Si
  • Zone di divisione No
  • Modulation wheel Si
  • Polifonia 6
  • Motore sonoro Analogico
  • Interfaccia MIDI 1x In, 1x Out, 1x Thru
  • Supporto di memorizzazione Interno
  • Connessione USB Si
  • Effetti Si
  • Arpeggiator Si
  • Quantità di Uscite Analogiche 2
  • uscita digitale No
  • Visualizzazione Si
  • Connessioni pedale 2 pedali, 2 footswitch
  • Dimensioni 807 x 323 x 117 mm
  • Peso 9,5 kg
€ 3.399
Tutti i prezzi incl. IVA
Disponibile fra circa una settimana
1
Consegna standard
gratis

Informazioni di consegna
94
Classifica vendite
in Sintetizzatori

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2 Valutazioni dei clienti

5 2 Clienti 4 0 Clienti 3 0 Clienti 2 0 Clienti 1 0 Clienti
5 / 5
Valuta ora

uso

Caratteristiche

Suono

Qualità

Linee guida per la valutazione

2 Recensioni

google translate gb
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Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
WD
Amazing Synthesizer infinite possibilities
Walter Dr 26.04.2024
Sadly the last masterpiece of Dave Smith, this synthesizer is totally worth the price, I often find myself spending hours upon hours just playing around with it. It never ceases to amaze me, it’s a modern synth that can do your bread and butter synth sounds and much more!!! I’m really impressed by Thomann’s amazing customer service and fast delivery. Overall it has much character that gives it a distinct flavor when compared to the other 6 series. I’m completely satisfied with my purchase and very glad I chose the Trigon 6.
Sadly the last masterpiece of Dave Smith, this synthesizer is totally worth the price, I often find myself spending hours upon hours just playing around with it. It never ceases to amaze me, it’s a modern synth that can do your bread and butter synth sounds and much more!!! I’m really impressed by Thomann’s amazing customer service and fast delivery. Overall it has
Sadly the last masterpiece of Dave Smith, this synthesizer is totally worth the price, I often find myself spending hours upon hours just playing around with it. It never ceases to amaze me, it’s a modern synth that can do your bread and butter synth sounds and much more!!! I’m really impressed by Thomann’s amazing customer service and fast delivery. Overall it has much character that gives it a distinct flavor when compared to the other 6 series. I’m completely satisfied with my purchase and very glad I chose the Trigon 6.
uso
Caratteristiche
Suono
Qualità
5
0
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google translate se
Mostra traduzione
Mostra originale
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
IA
Versatile analog poly
Infested Alien 23.07.2023
First the look, it has been some divide feelings for some because of the light maple wood end panels. I enjoy them and they look very appealing when you see them in real and not in video / photo.

Then the interface, it's very easy to get an overview of all the knobs and parameters. The knob-caps are in plastic which is something I didn't expect. The knobs that are bi-polar are easy to turn, the octave knobs for the oscillators goes with a smoth and gentle tactile feeling when you move them and they are endless encoder type of knobs. The rest of the potentiometer knobs are a bit hard to turn before they get "runned in" which is similar to the feeling of the PRO3. So expect the filter-cutoff knob to be hard to turn also and it's a bit easy to slip when the knobs are plastic.

The sound and the filter. It's a wide range of sounds you can create with this. Pay attention to the 2 pole mode which gives the synth more flexible usage together with the 3rd oscillator that can be set in "LFO-Mode" an advice is to try set the velocity response to setting number 6 and try play around with velocity on AMP and Filter and you will be suprised how expressive your patches can become on this analogue machine. Also notice that this synthesizers filters resonance is a dream. I think it has a unique sound when you reach into the early stage of self oscillation.

My rating of this transistor-ladder type of poly is basically 5 / 5. The build quality is top notch. The only thing I feel I think could be a bit better but it's more of a personal taste i guess is the knobs that they have plastic caps and are hard to turn in the beginning before being "runned in". But thats a smaller problem when the rest is perfect and the sound is what I like from it.
First the look, it has been some divide feelings for some because of the light maple wood end panels. I enjoy them and they look very appealing when you see them in real and not in video / photo.

Then the interface, it's very easy to get an overview of all the knobs and parameters. The knob-caps are in plastic which is something I didn't expect. The knobs
First the look, it has been some divide feelings for some because of the light maple wood end panels. I enjoy them and they look very appealing when you see them in real and not in video / photo.

Then the interface, it's very easy to get an overview of all the knobs and parameters. The knob-caps are in plastic which is something I didn't expect. The knobs that are bi-polar are easy to turn, the octave knobs for the oscillators goes with a smoth and gentle tactile feeling when you move them and they are endless encoder type of knobs. The rest of the potentiometer knobs are a bit hard to turn before they get "runned in" which is similar to the feeling of the PRO3. So expect the filter-cutoff knob to be hard to turn also and it's a bit easy to slip when the knobs are plastic.

The sound and the filter. It's a wide range of sounds you can create with this. Pay attention to the 2 pole mode which gives the synth more flexible usage together with the 3rd oscillator that can be set in "LFO-Mode" an advice is to try set the velocity response to setting number 6 and try play around with velocity on AMP and Filter and you will be suprised how expressive your patches can become on this analogue machine. Also notice that this synthesizers filters resonance is a dream. I think it has a unique sound when you reach into the early stage of self oscillation.

My rating of this transistor-ladder type of poly is basically 5 / 5. The build quality is top notch. The only thing I feel I think could be a bit better but it's more of a personal taste i guess is the knobs that they have plastic caps and are hard to turn in the beginning before being "runned in". But thats a smaller problem when the rest is perfect and the sound is what I like from it.
uso
Caratteristiche
Suono
Qualità
13
2
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Segnala un abuso

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