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Esempi audio
1975 Phaser
0:00
0:00
  • 1975 Phaser0:27
  • 75 Chorus EP0:39
  • Homegrown0:33
  • Mazurka 18491:08
  • Mellow Concert0:42
  • Pads 10:36
  • Pads 20:43
  • Pads 31:17
  • Pattern 10:45
  • Pattern 20:38
  • Pattern 30:28
  • Pattern 40:44
  • Perc Rotary Org0:22
  • Phase Clav0:19
  • Rotary Org 10:39
  • Rotary Org 30:24
  • Sequence 10:49
  • Sequence 20:32
  • Sequence 30:38
  • Sequence 40:39
  • Sequence 50:35
  • Sequence 60:33
  • Song 10:42
  • Song 20:35
  • Song 30:53
  • Song 41:28
  • Song 51:46
  • Song 61:02
  • Tine EP Trem0:37
  • Tine MK1 Trem0:30
  • Twah Clav0:20

Tastiera sintetizzatore

  • 76 tasti sensibili al tocco e semi-pesati
  • Motori sonori: ZEN-Core, SuperNATURAL Acoustic, SuperNATURAL Acoustic Piano, SuperNATURAL Electric Piano, VTW Organ (solo ZONE2)
  • 256 voci
  • Espandibile con Roland EXZ, EXSN e EXM
  • Oltre 3500 suoni preimpostati e più di 90 kit batteria
  • Spazi di memoria per 128 scene (x 4 banchi)
  • 16 parti, fino a 4 livelli sonori ciascuna
  • Effetti: EQ e multieffetto per parte, 2 effetti insert, 6 compressori per parte di batteria, compressore master, EQ master
  • 90 tipi di effetti diversi
  • Vocoder stereo a 32 bande
  • Pad sampler a 8 voci (16 pad x 4 banchi) con tempo di campionamento massimo di 60 minuti
  • Sequencer: 16 tracce MIDI con registrazione in tempo reale e step, oltre alla programmazione di batteria TR
  • Pattern ritmico, arpeggiatore e funzione di memoria degli accordi
  • Touch screen a colori da 5,5"
  • 8 encoder e 8 fader permettono di controllare suoni, mixer ed effetti in tempo reale
  • Interfaccia audio USB 32 x 4 (24 bit/96 kHz)
  • Supporto AIRA Link (tramite Roland MX-1)
  • Roland Cloud Manager Support
  • Integrazione nativa di Logic Pro, MainStage e AbletonLive
  • Dimensioni (L x P x A): 1218 x 323 x 95 mm
  • Peso: 7 kg
  • Include alimentatore esterno (PSB-5U, 12 V DC)

Collegamenti:

  • Main out: jack da 6,3 mm, bilanciato
  • 2 uscite sub: jack da 6,3 mm
  • Uscita per le cuffie: jack da 6,3 mm e 3,5 mm
  • 3 ingressi per pedali e footswitch: jack da 6,3 mm
  • MIDI In/Out
  • 1 ingresso microfonico e 2 ingressi di linea: jack da 6,3 mm
  • 2 porte USB-A per dispositivi esterni e supporti di memorizzazione
  • Porta USB-B per il collegamento al computer
  • In catalogo dal Marzo 2022
  • Numero di articolo 539716
  • Unità incluse 1 Pezzo
  • Numero di tasti 76
  • Touch-Sensitive Si
  • Aftertouch No
  • Zone di divisione Si
  • Modulation wheel Si
  • Polifonia 256
  • Motore sonoro Digitale
  • Interfaccia MIDI 1x In, 1x Out
  • Supporto di memorizzazione Interno
  • Connessione USB Si
  • Effetti Processore Multieffetto
  • Arpeggiator Si
  • Quantità di Uscite Analogiche 4
  • uscita digitale No
  • Visualizzazione Si
  • Campionatore Si
  • Connessioni pedale 2x Pedal, 1x Sustain
  • Dimensioni 1218 x 323 x 95 mm
  • Schede di espansione opzionali -
  • Peso 7,0 kg
  • Dimensione in mm 1218 x 323 x 95
  • Peso in kg 7,0 kg
€ 1.629
Tutti i prezzi incl. IVA
Disponibile
Disponibile

Questo prodotto è disponibile e può essere spedito immediatamente.

Informazioni sulla spedizione
1
Consegna standard
gratis

Questo articolo è disponibile in magazino e può essere spedito a breve.

14 Valutazioni dei clienti

4.6 / 5

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11 Recensioni

V
Fantom 07
Violino998 09.06.2022
Tastiera con il tante funzioni che devono essere studiare per uso completo dello strumento. Piattaforma che già all 'acquisto permette di usufruire di tutte le librerie storiche roland, ma che offre anche integrazione con simulazioni software di altri synth storici roland, con opzione a pagamento. Sicuramente la leggerezza complessiva, e la buona qualità della tastiera sarà un incentivo all 'acquisto.
Tastiera con il tante funzioni che devono essere studiare per uso completo dello strumento. Piattaforma che già all 'acquisto permette di usufruire di tutte le librerie storiche roland, ma che offre anche integrazione con simulazioni software di altri synth storici roland, con opzione a pagamento. Sicuramente la leggerezza complessiva, e la buona qualità della
Tastiera con il tante funzioni che devono essere studiare per uso completo dello strumento. Piattaforma che già all 'acquisto permette di usufruire di tutte le librerie storiche roland, ma che offre anche integrazione con simulazioni software di altri synth storici roland, con opzione a pagamento. Sicuramente la leggerezza complessiva, e la buona qualità della tastiera sarà un incentivo all 'acquisto.
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google translate gb
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
JG
Terrific Keyboard for Live Playing
JDS. Glasgow 09.02.2024
Ideal keyboard for me playing covers/tributes from various different genres.

Regardless of whatever sound you're looking for, you'll find an exact copy or close (with a bit of tinkering).
If you're looking for new cutting edge sounds, the Fantom 0 series is not for you - if you play live, it's ideal (for me as a second 'up-top' keyboard with weighted keys below.)

Very light to transport , keybed is OK but not great. Main sound complaint from most people is pianos - to be honest, if you use a bit of common sense and EQ, they're fine.
I had a Nord Stage 3 compact which had wonderful pianos (with headphones on) but by the time they're put through my Yamaha mixer the into the main desk and out through a Mackie PA they just sound like pianos.
For the difference in price is was a no- Braintree to sell the NS3 and get this plus another keyboard.
Anyway, a great workhorse for live playing. The multi options to split and layer are fantastic and some of the pad functions ive found really useful.

I don't use the sequencer so can't really comment. I've started using the sampler (as an oldie , I've never used one before) but it's going to be really useful
Ideal keyboard for me playing covers/tributes from various different genres.

Regardless of whatever sound you're looking for, you'll find an exact copy or close (with a bit of tinkering).
If you're looking for new cutting edge sounds, the Fantom 0 series is not for you - if you play live, it's ideal (for me as a second 'up-top' keyboard with weighted keys
Ideal keyboard for me playing covers/tributes from various different genres.

Regardless of whatever sound you're looking for, you'll find an exact copy or close (with a bit of tinkering).
If you're looking for new cutting edge sounds, the Fantom 0 series is not for you - if you play live, it's ideal (for me as a second 'up-top' keyboard with weighted keys below.)

Very light to transport , keybed is OK but not great. Main sound complaint from most people is pianos - to be honest, if you use a bit of common sense and EQ, they're fine.
I had a Nord Stage 3 compact which had wonderful pianos (with headphones on) but by the time they're put through my Yamaha mixer the into the main desk and out through a Mackie PA they just sound like pianos.
For the difference in price is was a no- Braintree to sell the NS3 and get this plus another keyboard.
Anyway, a great workhorse for live playing. The multi options to split and layer are fantastic and some of the pad functions ive found really useful.

I don't use the sequencer so can't really comment. I've started using the sampler (as an oldie , I've never used one before) but it's going to be really useful
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google translate gb
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
DI
Great portability and varaity of sounds
DS Ireland 21.02.2025
This is a great lightweight keyboard that comes with tons of tones, a few sample pads, and styles. Roland uses a concept called SCENE, and in the Zone Editor, you can combine up to 16 tones, layering them together and assigning them to different key sections based on your needs. The sound is truly amazing!

I also want to highlight Thomann’s excellent support. I contacted their support team via chat before purchasing, and I received answers from different departments within the same conversation. I specifically chose Thomann because of their outstanding customer service and their extended support even after the 3 year warranty period they continue to cover manufacturing defects.

Shipping to Ireland was very fast, taking only 5-6 days. The keyboard arrived in its original, highly durable packaging, ensuring no damage during transit.

This is a fantastic Japanese product, and I highly recommend it!
This is a great lightweight keyboard that comes with tons of tones, a few sample pads, and styles. Roland uses a concept called SCENE, and in the Zone Editor, you can combine up to 16 tones, layering them together and assigning them to different key sections based on your needs. The sound is truly amazing!

I also want to highlight Thomann’s excellent support.
This is a great lightweight keyboard that comes with tons of tones, a few sample pads, and styles. Roland uses a concept called SCENE, and in the Zone Editor, you can combine up to 16 tones, layering them together and assigning them to different key sections based on your needs. The sound is truly amazing!

I also want to highlight Thomann’s excellent support. I contacted their support team via chat before purchasing, and I received answers from different departments within the same conversation. I specifically chose Thomann because of their outstanding customer service and their extended support even after the 3 year warranty period they continue to cover manufacturing defects.

Shipping to Ireland was very fast, taking only 5-6 days. The keyboard arrived in its original, highly durable packaging, ensuring no damage during transit.

This is a fantastic Japanese product, and I highly recommend it!
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google translate de
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
T1
Ich behalte ihn für Live Shows
Thorsten 123 15.04.2022
Kurz und knackig meine Vor- und Nachteile:
Positives:
-Im vgl. zu den alten Fantoms ein super schneller Workflow
-Mit den Expansionen klanglich gut, aber nicht sehr gut. Als Referenz sehe ich hier die Modelle von Nord im Vergleich
-Super leicht
-hochauflösendes Display
-Bekannte Roland Brot und Butter Sounds

Negativ/Dinge die man vor dem Kauf wissen sollte:
-Die Expansionen werden im Sample Speicher gespeichert (mit den 3 vorinstallierten Expansionen sind nur noch etwa 100Mb frei)
-Die eingebauten Sounds sind zu 95% altbekannte. Teilweise bereits 15 Jahre alt und älter. Also nichts besonderes fürs Studio, Live aber durchaus brauchbar.
-Die Tone Wheel Organ bricht trotz Scene Remain beim Scenenwechsel ab
-Die Zugriegel bzw. Leslie Geschwindigkeit werden im Tone gespeichert und nicht in der Scene
- Der Fantom 0 bietet nur 8 Slider für 9 Zugriegel (eine andere Zuweisung ist nicht möglich)
-Die Supernatural Pianos sind keine echten Supernatural, da für diesen Fantom die String Resonanz nicht aktiviert ist/werden kann
-Der Sampler kann kein X-Fade für Loops was ihn für etwaige geloopte Sounds unbrauchbar macht
-Die Scene speichert zwar die Funktion der Pads, aber im Falle von SamplePads wird die Bank nicht gespeichert
-in der Soundkategorie Choir sind 3-5 Sounds die Fehlerhaft programmiert sind. Im Tone Menü ist ersichtlich dass VA Wellenformen hinterlegt sind und diese klingen tatsächlich auch nicht annähernd nach Choir. Vllt schafft hier ein Firmware Update Abhilfe.
-Nutzt man einen SuperNatural Acoustic Piano Sound kommt man richtig schnell an die Grenze der Polyfonie. Bereits mit zwei weiteren Layern (z.B. E-Piano und Pad) kann man nur noch 3-4 Klänge spielen dass die Übergänge nicht abgehakt klingen. Das ist vermutlich auch der Grund warum die String Resonanz in diesem Gerät nicht inkludiert ist.

Alles in allem Behalte ich die Maschine trotzdem. Für mich ist es eine wirklich schnell zu programmierende „Presetschleuder“ mit der ich super meinen Synth ansteuern kann. Für eine Rockband bestens geeignet.
Im Gegenzug für eine Akustik Band oder fürs Studio aufgrund der genannten Punkte eher nicht geeignet.
Kurz und knackig meine Vor- und Nachteile:
Positives:
-Im vgl. zu den alten Fantoms ein super schneller Workflow
-Mit den Expansionen klanglich gut, aber nicht sehr gut. Als Referenz sehe ich hier die Modelle von Nord im Vergleich
-Super leicht
-hochauflösendes Display
-Bekannte Roland Brot und Butter Sounds

Negativ/Dinge die man vor
Kurz und knackig meine Vor- und Nachteile:
Positives:
-Im vgl. zu den alten Fantoms ein super schneller Workflow
-Mit den Expansionen klanglich gut, aber nicht sehr gut. Als Referenz sehe ich hier die Modelle von Nord im Vergleich
-Super leicht
-hochauflösendes Display
-Bekannte Roland Brot und Butter Sounds

Negativ/Dinge die man vor dem Kauf wissen sollte:
-Die Expansionen werden im Sample Speicher gespeichert (mit den 3 vorinstallierten Expansionen sind nur noch etwa 100Mb frei)
-Die eingebauten Sounds sind zu 95% altbekannte. Teilweise bereits 15 Jahre alt und älter. Also nichts besonderes fürs Studio, Live aber durchaus brauchbar.
-Die Tone Wheel Organ bricht trotz Scene Remain beim Scenenwechsel ab
-Die Zugriegel bzw. Leslie Geschwindigkeit werden im Tone gespeichert und nicht in der Scene
- Der Fantom 0 bietet nur 8 Slider für 9 Zugriegel (eine andere Zuweisung ist nicht möglich)
-Die Supernatural Pianos sind keine echten Supernatural, da für diesen Fantom die String Resonanz nicht aktiviert ist/werden kann
-Der Sampler kann kein X-Fade für Loops was ihn für etwaige geloopte Sounds unbrauchbar macht
-Die Scene speichert zwar die Funktion der Pads, aber im Falle von SamplePads wird die Bank nicht gespeichert
-in der Soundkategorie Choir sind 3-5 Sounds die Fehlerhaft programmiert sind. Im Tone Menü ist ersichtlich dass VA Wellenformen hinterlegt sind und diese klingen tatsächlich auch nicht annähernd nach Choir. Vllt schafft hier ein Firmware Update Abhilfe.
-Nutzt man einen SuperNatural Acoustic Piano Sound kommt man richtig schnell an die Grenze der Polyfonie. Bereits mit zwei weiteren Layern (z.B. E-Piano und Pad) kann man nur noch 3-4 Klänge spielen dass die Übergänge nicht abgehakt klingen. Das ist vermutlich auch der Grund warum die String Resonanz in diesem Gerät nicht inkludiert ist.

Alles in allem Behalte ich die Maschine trotzdem. Für mich ist es eine wirklich schnell zu programmierende „Presetschleuder“ mit der ich super meinen Synth ansteuern kann. Für eine Rockband bestens geeignet.
Im Gegenzug für eine Akustik Band oder fürs Studio aufgrund der genannten Punkte eher nicht geeignet.
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