Con i nostri cookie, vorremmo offrirti la migliore esperienza di shopping possibile, con tutto ciò che ne consegue. Questo include, ad esempio, offerte adatte, annunci personalizzati e il salvataggio delle preferenze. Se per te va bene, acconsenti semplicemente all'uso dei cookie per preferenze, statistiche e marketing cliccando su 'Va bene!' (show all). Il consenso può essere revocato in qualsiasi momento tramite le impostazioni dei cookie (qui)
Devi effettuare il login per poter lasciare una recensione.
IMPORTANTE: Per evitare di inserire informazioni per sentito dire, non complete o sbagliate, permettiamo di dare un giudizio delle attrezzature solo ai nostri clienti che hanno comprato la merce direttamente da noi.
Dopo il Login trovi nella tua area cliente troverete sotto la sezione "Giudica i prodotti" tutti gli articoli ai quali potrete dare un giudizio
non un grande plettro ma esattamente quello che sembra
MattiaM 03.03.2025
Comprato, provato e dimenticato nel cassetto. Non particolarmente comodo.
Comunque materiale e fattura di ottima qualità. Se non l'avessi probabilmente lo comprerei.
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
MS
Not great for mando
Michael S. 639 31.03.2018
Checked it out for the mandolin - not good. Guess there is a reason virtually all mando players use thick large triangle picks. This thing was too clunky to enjoy playing with. Should have just sent it back.
Sfortunatamente si è verificato un errore, La preghiamo di riprovare più tardi.
A
A great and unusual jazz pick
Anonimo 14.10.2014
The shape was kind of a gimmick, building on the legend that Django Reinhardt used anything as a pick, from bits of haircombs to trouser buttons.
The material is nitrocellose (called Viscaloid), so I would keep it away from flames.
The print, a line drawing of Django's portrait on one side and four button holes on the reverse, wears off very quickly.
So why rave about a big plastic coin?
Well, I use expensive shaped gypsy picks in exotic materials (Dugain and copies) for playing with a fast and heavy downstroke. And I can't get along with flimsy plastic picks. But this one seems like the perfect marriage: a bit lighter than the gipsy picks, but still stiff enough to have enough control and volume.
I even use it on a mandolin!
The shape was kind of a gimmick, building on the legend that Django Reinhardt used anything as a pick, from bits of haircombs to trouser buttons.
The material is nitrocellose (called Viscaloid), so I would keep it away from flames.
The print, a line drawing of Django's portrait on one side and four button holes on the reverse, wears off very
The shape was kind of a gimmick, building on the legend that Django Reinhardt used anything as a pick, from bits of haircombs to trouser buttons.
The material is nitrocellose (called Viscaloid), so I would keep it away from flames.
The print, a line drawing of Django's portrait on one side and four button holes on the reverse, wears off very quickly.
So why rave about a big plastic coin?
Well, I use expensive shaped gypsy picks in exotic materials (Dugain and copies) for playing with a fast and heavy downstroke. And I can't get along with flimsy plastic picks. But this one seems like the perfect marriage: a bit lighter than the gipsy picks, but still stiff enough to have enough control and volume.